The pricing of paintings is based on several parameters:

1. Material and density of the canvas (cotton, linen, coarse/fine grain);

2. Presence or absence of primer;

3. Size;

4. Type and material of the frame (wood – pine, birch, ash, etc.; plastic, metal);

5. Paint and method of processing if the frame is made of wood;

6. Brand and country of production of acrylic paints and finishing varnishes (France, Holland, Russia, Türkiye, China).

7. Job.

All canvases are prepared by me manually, so I control the quality of each stage:

– stretcher frame preparation,

– canvas stretching,

– gluing,

– priming.

Since wood and fabric are natural materials, there are many nuances at each stage of work. Thanks to my experience, I take into account the compatibility of materials, methods of applying materials, methods of stretching and preparing the canvas for work.

The style of painting and the material used have their own characteristics, where the combination of certain pigments can randomly create the effect of dirt. My style of writing is close to the watercolor technique and such mistakes in working on a painting are not allowed.

Thus, the works are not only exclusive, but also combine the invaluable experience of all preparatory processes, allowing them to remain in their original form for many years, preserving the quality and brightness of colors.